![]() I assume those plugs will show up in my other DAWs though I haven't tried yet.īut. The bundled Harrison verb isn't bad though, sounded pretty good, and I kinda like that bundled 3D delay plug. It scanned my VST plugs with no issue but Altiverb wouldn't pass any sound at all. On win it feels like a port, the graphic redraws are kinda slow. I expect things like it's window drawing is probably much smoother on Linux though. Without (I guess) the skinny mixer channels of A3, the channels take up a lot of space on my monitor so even at full screen you can't see very many channels at once.Īrdour 3 might be much, much better in regards to some of that but A2 in this case kinda really, really bites in those areas, workflow wise. When you select an arrange track or console channel it doesn't scroll to the other like you'd expect so finding things between the two things is a good deal more work, scrolling around, searching for channels. Channels don't really highlight on selection or follow between arrange and the console. Renaming console channels is by dialog, which kinda sucks, but again I only used the top field. No direct dragging of channels and tracks. It took a - long - time for it to load the 75 44/24 stems after I chose them to import and no, there was no sample rate conversion or anything going on. It's just (comparitively) way too unweildy and slow, even though the track and clip editing features are setup very, very well (really they are, basic edit stuff, the smart tool works really well and editing clips is really, really fast) the UI is glitchy and it's way slower at way too many other things. but there is - no scenario - where I'd ever imagine choosing Ardour 2.x on Win over Reaper or S1 or similar to record or edit on Win. I say all of the following having not yet read the manual, so that caveat should be noted. Just trying to figure out how to retain all the goodness and power of Reaper, add this cool new sound/interface option, and minimize the impact on my work-flow. For $60, its cheaper than buying most other analog emulators. PS - so far the video Lawrence posted is exactly what I experienced - an overall improvement in the "organic sound". Anyone have any luck getting and VST or AU plugins to work on MixBuss in Windows 7? I haven't tried yet, again, trying to fish for some tips before setting off on a fools errand. What routing audio from Reaper into MixBuss, live, in real time, using JACK? Anyone tried that on Windows? I've read that can be done, but maybe it was only on OSX/Linux.Ĥ. (Their WebSite is not very clear about Reaper->MixBuss).ģ. Anyone tried "AATranslater", a program for going from ProTools into other things, etc.? Could it be used for going from Reaper files to Harrison MixBuss? That would be super-fab, and worth its $59 cost, if I didn't have to stem-render, export, import, etc. Any tips on Stem rendering for such a task? I figured it out roughly last night, but was having volume issues, and had to re-name everything.Ģ. Hence I'm wondering who else is doing this, and if they have any tips.ġ. ![]() SO, my question is - I don't want to leave Reaper (been using it over 6 years now), so my current thinking is to do all of the original recording, VSTi overdubs, editing, prep work, plug-in massaging, in Reaper, and then only when that is finished do the final mixing with MixBuss. Definitely helped me with my ADD type issues, anyway. ![]() Want to change the tone? Move the EQ knob, then go on to your next decision while you are listening to the music. No windows jumping around, no functions hiding behind other windows, etc. REALLY enjoyed the old-school feel of mixing with all the EQ, Reverb and Compressor choices right at your fingertips (evoked old muscle memory). After a learning curve stumble, within a few hours I was up and running. Thus, Harrison MixBuss seemed like a good intermediate step between all that Reaper can do, and OTB mixing. Hurts my 50 year old brain, then I lose the muse). I finally pulled the plug and bought the MixBuss on sale (until March 22), since I've been thinking about going back to OTB mixing (Why would I do that? I need to finish up an album worth of material that's been lingering for over a year, yet I can' seem to "finalize" - paralysis by analysis, too many plugin options. Use it as a final mixing stage for Reaper generated files? How best to Transfer files? Stem render and import, or link them, etc? Any suggestions/tips/tricks on how best to use Harrison MixBuss with Reaper.
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